How Israel honours the dead in 2020

JVL Introduction

Israeli Jewish human rights activist Orly Noy exposes the significance of the appointment of a “right-wing hawk and an avowed racist” to chair Yad Veshem, Israel’s Holocaust museum.




This article was originally published by +972 on Fri 20 Nov 2020. Read the original here.

For the Jewish state, the Holocaust is a tool to be manipulated



Something remarkable happened within the same week that an internal Israeli government committee approved the appointment of Effi Eitam, a former IDF general and far-right politician, as chairperson of Yad Vashem, Israel’s Holocaust museum. In a meeting with Prime Minister Benjamin Netanyahu, outgoing U.S. Secretary of State Mike Pompeo announced that President Donald Trump intends to declare the Boycott, Divestment and Sanctions (BDS) movement antisemitic.

The proximity between the two announcements symbolizes the final phase in the manipulative metamorphosis that antisemitism and the Holocaust have undergone in the hands of Zionism.

Expel the Arabs

Effi Eitam, a right-wing hawk and an avowed racist, made the following remarks in 2006 during the memorial service for Lt. Amichai Merhavia, who was killed in the Second Lebanon War:

We will have to do three things: expel most of the Arabs of Judea and Samaria [West Bank] from here. It is impossible with all these Arabs and it is impossible to give up the territory, because we have already seen what they are doing there. Some may be able to stay under certain conditions, but most will have to go. We will have to make another decision, and that is to kick out the Israeli Arabs from the political system. Here, too, things are clear as day: we have created a fifth column, a group of first-degree traitors, so we cannot continue to allow such a hostile and large presence in Israel’s political system. Third, in the face of the Iranian threat, we will have to act differently from everything we have done until today. These are three things that will require a change in our ethics of warfare.

The expulsion of an occupied, native people from their land by the occupying force is a war crime. Preventing the participation of citizens in the political system based on ethnic or national affiliation is akin to fascism. The incoming Yad Vashem chairperson does not shy away from expressing opinions that amount to war crimes in order to advance his political ambitions.

Trump, as Libby Lenkinski wrote on these pages, is the man who brought classic antisemitism back into fashion in the United States while being warmly embraced by the prime minister of the Jewish state.

Fondness for fascists

Yad Vashem’s fondness for fascists and war criminals is no secret either. Since Apartheid South Africa’s Prime Minister John Worster, a member of a pro-Nazi organization during World War II, visited Yad Vashem in 1976, the museum has hosted a delegation of Myanmar’s military junta responsible for war crimes and crimes against humanity.

It has opened its doors to Brazilian President Jair Bolsonaro, the man who has praised Hitler and openly supports the physical extermination of LGBTQ people, Brazil’s indigenous population and a host of other atrocities, including rape, torture and military dictatorship. It has even hosted Hungarian Prime Minister Viktor Orbán, who has expressed support for Miklós Horthy, Hungary’s antisemitic leader during World War II; and South Sudan’s Anthony Lino Makana, a senior official in a government responsible for war crimes and crimes against humanity.

Holocaust and antisemitism – political tools

If Zionism previously justified its crimes against the Palestinian people in the name of the Holocaust, today it uses the Holocaust as a tool to justify antisemitism itself in exchange for political profit. More than that: it allows an antisemite to define what antisemitism is. This is the bitter truth we face today — for the official State of Israel, the concept of the Holocaust and antisemitism are purely political means, and as such can be manipulated, distorted, and deceived, just like any other political tool.

After they dispossessed the Palestinians under the pretext of the Holocaust, Israeli leaders are now adopting an antisemite like Trump who will persecute the descendants of those same dispossessed Palestinians in the name of fighting antisemitism. And not only them, but also the countless Jews who show solidarity for the Palestinian struggle for justice. However, as long as there are people of conscience who shiver at the sight of this heinous exploitation of the Holocaust’s memory, this will be difficult to do.

That is why Effi Eitam, a racist and proponent of war crimes, has been appointed to guard the memory of Jewish tragedy — so that the Holocaust forever remains subject to utilitarian and political manipulation. That is how Israel honors the dead in 2020.

This article was first published in Hebrew on Local Call. Read it here.

Comments (4)

  • rc says:

    In Haaretz last week Gideon Levy summed up how appropriate it was for this monster to head Yad Vashem – perhaps he could arrange guided tours to include Deir Yassin – and perhaps instal a statue of Begin at Kfar Shaul – the Israeli psychotherapeutic clinic built on the ruins of Deir Yassin. But I suppose there are already too many statues of this fascist mass murderer in Israel already.
    But don’t worry – in the UK the mass media are wholly dominated by worship of this racist state – more so than in Israel itself. Truly, the UK is a country Pompeo can be proud of. And Starmer, too, of course..

  • steve mitchell says:

    Ably assisted by elements in the Labour Party

  • John C says:

    Does this politicization of the Holocaust extend to the proposal to construct a Holocaust Memorial and Museum next to Parliament on the grounds of the Royal Park, Victoria Tower Gardens? How will this be received?

  • William Johnston says:

    If the image which heads this article does indeed come from the Holocaust museum, am I the only one to think that it looks more like a memorial to Nazism? I appreciate that the (inverted) swastika is not something to be air-brushed out, but for it to be displayed with quite that much prominence?

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